Saturday, December 20, 2014
Friday, December 19, 2014
"Sadly, President Obama made the wrong decision. The freedom and democracy of the Cuban people will not be achieved through these benefits that he's giving -- not to the Cuban people -- but to the Cuban government. The Cuban government will only take advantage to strengthen its repressive machinery, to repress civil society, its people and remain in power."
-- Berta Soler, leader of The Ladies in White.
"[Alan Gross] was not arrested for what he did, but for what could be gained from his arrest. He was simply bait and they were aware of it from the beginning... Castroism has won, though the positive result is that Alan Gross has left alive the prison that threatened to become his tomb."
-- Yoani Sanchez, Cuban blogger and independent journalist, 14ymedio.
--Rosa Maria Paya, daughter of murdered Christian Liberation Movement leader, Oswaldo Paya.
"[Obama's announcement] is horrible and disregarding the opinion of [Cuban] civil society sends a bad message. The acceptance of neo-Castroism in Cuba will mean greater support for authoritarianism in the region and, as a consequence, human rights will be relegated to a secondary role."
-- Antonio Rodiles, head of Estado de Sats.
"Alan Gross was used as a tool by the Castro regime to coerce the United States. Obama was not considerate of Cuban citizens and of the civil society that is facing this tyrannical regime. In Miami, Obama promised that he would consult Cuba measures with civil society and the non-violent opposition. Obviously, this didn't happen. That is a fact, a reality. He didn't consider Cuba's democrats. The betrayal of Cuba's democrats has been consummated."
-- Guillermo Fariñas, former Sakharov Prize recipient.
"The Obama Administration has ceded before Castro's dictatorship. Nothing has changed. The jails remain filled, the government represents only one family, repression continues, civil society is not recognized and we have no right to assemble or protest... The measures that the government of the United States has implemented today, to ease the embargo and establish diplomatic relations with Cuba, will in no way benefit the Cuban people. The steps taken will strengthen the Castro regime's repression against human rights activists and increase its resources, so the security forces can keep harassing and repressing civil society."
--Angel Moya, former political prisoner of the Black Spring (2003).
"We are in total disagreement with what has transpired today. It's a betrayal of those who within Cuba have opposed the regime in order to achieve definitive change for the good of all Cubans."
-- Felix Navarro, former political prisoner and co-head of the Cuban Patriotic Union (UNPACU).
"It's discomforting that the accounts of the Castro regime can grow, as the first step will be more effective repression and a rise in the level of corruption."
-- Jose Daniel Ferrer, former political prisoner and co-head of the Cuban Patriotic Union (UNPACU)
"This is a betrayal that leaves the democratic opposition defenseless. Obama has allied himself with the oppressors and murderers of our people."
-- Jorge Luis Garcia Perez "Antunez," former political prisoner and head of the National Resistance Front.
"I feel as though I have been abandoned on the battlefield."
-- Dr. Oscar Elias Biscet, former Cuban political prisoner and U.S. Presidential Medal of Freedom recipient.
Thursday, December 18, 2014
National Call For Entry: IMPRINT 2015
Maryland Art Place’s Annual Print Project
Application Deadline: February 1, 2014
Maryland Art Place (MAP) is pleased to announce a national open ‘Call to Artists’ for the 2015 edition of “IMPRINT," an annual program initiated by MAP staff in 2012 to highlight one contemporary artist who has demonstrated excellence within their selected media. MAP’s Program Advisory Committee (PAC), Staff, and Board of Trustees, collectively reviews all submissions to select IMPRINT artists.
IMPRINT Goal: To support artists by increasing the visibility of their work and by promoting sales. IMPRINT artists benefit by being highlighted on MAP’s website and through the sale of a funded artist print reproduction. MAP will also sell the reproduction at its annual benefits or offer them as sponsor incentives, which furthers the artist name and work. The selected artwork will officially launch in conjunction with MAP’s Annual spring benefit, Out of Order.
Artists can submit up to 3 images. There is an application fee of $5 dollars per image (paid via Click&Pledge) and is FREE for MAP members. The full application and call for entry can be downloaded at: http://mdartplace.org/opportunities/imprint
For more information, contact Paul Shortt at email@example.com or call 410.962.8565.
Wednesday, December 17, 2014
Most nations on the planet have formal relations with Cuba... and Canada, Spain, Italy, France, etc. are heavy investors on Cuba and its thriving tourist business with the West.
What has this decades-long relationship with multiple western democracies done for the average Cuban and his lack of basic rights and freedoms?
Cuba remains, and will remain until the Castro brothers are removed from power and tried for crimes against the Cuban people, the most repressive, racist and brutal regime on the planet.
Restoring relations between the US and Cuba was probably inevitable given the singular global perspective of President Obama, but to think that this will be of some benefit to the Cuban people is not only naive, but intellectually dishonest.
I hope that I am wrong.
Tuesday, December 16, 2014
Monday, December 15, 2014
“Stéphane has the vision and experience to lead the Hirshhorn’s curatorial department at a time when we are expanding our profile nationally and internationally,” said Melissa Chiu, director of the Hirshhorn. “He has worked closely with a diverse roster of artists and conceived and executed important monographic and thematic exhibitions. And he has been instrumental in building a significant contemporary collection. We are fortunate to be able to welcome him to the Hirshhorn.”
During his tenure at the MMFA, Aquin has curated major exhibitions, including “Peter Doig: No Foreign Lands” (2014), “Beyond Pop Art: Tom Wesselmann” (2012), “Warhol Live: Music and Dance in Andy Warhol’s Work” (2008), “Riopelle: Canadian Artist” (2006), “Global Village: The Sixties” (2003) and “Pipilotti Rist” (2000). He also organized “Yo y mi circunstancia: Mobility in Contemporary Mexican Art” (1999) and contributed to “Hitchcock and Art: Fatal Coincidences” (2000). A prominent scholar of contemporary art, he has written catalog essays about Peter Doig, Jean Paul Riopelle, Dorothea Rockburne, Carolee Schneemann and others.
Aquin established and headed the MMFA’s project series, organizing more than 40 exhibitions by artists from Canada and abroad. As the curator responsible for art from 1945 to the present, he expanded the museum’s collection by more than 1,000 works, with additions by artists such as David Altmejd, Richard Artschwager, Eduardo Basualdo, Jim Dine, Jesper Just, Mark Lewis, Los Carpinteros, Pipilotti Rist, Kiki Smith, Michael Snow and Tom Wesselmann. He has also overseen the development of the MMFA’s sculpture garden, which has key works by Aaron Curry, Antony Gormley, Mimmo Paladino and Jaume Plensa, among others.
Before his tenure at the MMFA, Aquin worked as an independent art critic from 1992 to 1998, serving notably as chief art critic for the Montreal weekly Voir. Before that he held various curatorial positions in museums across Canada. He has been a part-time faculty member in the Masters of Fine Arts Studio Arts program at Concordia University in Montreal since 1996 and for the past 10 years has acted as advisor to the acquisition committee of the art collection of the Caisse de dépôt et placement du Québec, one of Canada’s largest pension fund managers. He has served on numerous juries and panels across Canada and abroad, acting as president of the Sobey Art Award Jury in 2008.
Born in Montreal and raised in the United States and Switzerland, Aquin earned a master’s degree in art history from the Université de Montréal in 1987 and has pursued doctoral studies in sociology at the same university.Aquin succeeds Kerry Brougher, who served as the Hirshhorn’s chief curator from 2000 until May 31.
Saturday, December 13, 2014
I do declare the following: on this the 13th day of December 2014, and here in this blog, and in response to the new Facebook guidelines and under articles L.111, 112 and 113 of the code of intellectual property, I declare that my rights are attached to all my personal data, drawings, paintings, photos, texts etc... published on my profile since the day I opened my account. For commercial use of the foregoing my written consent is required at all times.
By this release, I tell Facebook that it is strictly forbidden to disclose, copy, distribute, broadcast, or to take any other action against me on the basis of my Facebokk profile and/or its contents. The actions mentioned above apply equally to employees, students, agents and/or other staff under the direction of Facebook.
The contents of my Facebook profile include private information. The violation of my privacy is punishable by the law (UCC 1 1-308 - 308 1 -103 and the Rome Statute). My drawings, photos, artwork, etc. are protected under the Visual Artists Rights Act of 1990.
Facebook is now an open capital entity. All members are invited to post a notice of this kind, or if you prefer, you can copy and paste this version. If you have not published this statement at least once, you will tacitly allow the use of elements such as your photos as well as the information contained in your profile update as I understand the new Facebook guidelines.
Signed by F. Lennox Campello.